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Remnant Oscillation

Remnant Oscillation

for clarinet and electroacoustic media

​

Listen



Electronic Sounds - Excerpt 1


Electronic Sounds - Excerpt 2


Electronic Sounds - Excerpt 3


Excerpt from Live Performance


Preview the Score



Please contact me to purchase the score and Max/MSP part.

I wrote Fossil Light for an orchestration workshop in graduate school back in 2010-11.  The title was inspired by a line in a book where the author referred to starlight as "Fossil Light." Each movement depicts a different viewpoint of the light: the bold, intense sight at the source of the star, the faint, ages-old dots we see in the sky, and the traveling of the light particles in between.  ​Though score and parts are unfortunately unavailable, I'm always up for collaborating on a new work!


Please send me a note to commission an orchestral work or ask any questions:


I completed Steps for tenor saxophone and wind ensemble in 2015.  At that point in time, Steps was the second movement of a two-movement work, That Takes Care 'a That (silly name for a dissertation!). Since then, I have decided to turn it into a stand-alone piece.  Below, you'll find the original score and sample recordings. Though revisiting a work that is a few years old can be a daunting task for a composer, there are some moments in Steps that I'm truly excited about developing more.  My goal is to complete the work by 2025. ​

 

Are you a saxophonist, conductor, or member of an ensemble that would be interested in being part of the process and premiere? Or, would you simply like to be among the first to know when the score and parts are available? Please let me know by filling out the form below.  I'm open to putting together a consortium, and I would much appreciate any help or feedback. 


Send me a note to be part of the process/premiere or to be the first to know when the score is available!

Be the first to know when the score and parts are available!

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Program Note


During my time at Indiana University, I began creating drones, doppler effects, and other ambient sounds, but never developed them into an entire work. These samples stayed filed away in the "old sketches" folder for about three years, until I began working on an interactive piece for clarinet and MAX/MSP while I was studying at USC.  After I combined both the old remnants and new pallet of sounds together, a series of fluctuating or “oscillating” drones and pulses began to materialize.


Performances


Sunday, November 6, 2011

* premiere, Joe Morris, Clarinet

Composition Showcase

University of Southern California

Los Angeles, CA



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