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Kinetics: From Airs to Jams

Kinetics: From Airs to Jams

for beginning band (Grade .5)

$29.99

Discount: Buy Kinetics: From Airs to Jams, get Kinetics: From Haze to Blaze at 50% off (automatically applied at checkout)

PDF Instant Download | Includes Score, Parts, & Supplemental Theme Practice Sheet (8.5x11 in.)

Are you performing this in the future? I'm available for guest composer Zoom sessions! Please contact me for rates and scheduling. 


Or, are you interested in commissioning a similiar project, where the kids get to be involved in the decision-making? Please reach out, and I would be happy to chat more!

I wrote Fossil Light for an orchestration workshop in graduate school back in 2010-11.  The title was inspired by a line in a book where the author referred to starlight as "Fossil Light." Each movement depicts a different viewpoint of the light: the bold, intense sight at the source of the star, the faint, ages-old dots we see in the sky, and the traveling of the light particles in between.  ​Though score and parts are unfortunately unavailable, I'm always up for collaborating on a new work!


Please send me a note to commission an orchestral work or ask any questions:


I completed Steps for tenor saxophone and wind ensemble in 2015.  At that point in time, Steps was the second movement of a two-movement work, That Takes Care 'a That (silly name for a dissertation!). Since then, I have decided to turn it into a stand-alone piece.  Below, you'll find the original score and sample recordings. Though revisiting a work that is a few years old can be a daunting task for a composer, there are some moments in Steps that I'm truly excited about developing more.  My goal is to complete the work by 2025. ​

 

Are you a saxophonist, conductor, or member of an ensemble that would be interested in being part of the process and premiere? Or, would you simply like to be among the first to know when the score and parts are available? Please let me know by filling out the form below.  I'm open to putting together a consortium, and I would much appreciate any help or feedback. 


Send me a note to be part of the process/premiere or to be the first to know when the score is available!

Be the first to know when the score and parts are available!

Be the first to know when the score and parts are available for purchase!

Listen






Preview the Score

Purchase comes with both the score and a supplemental themes practice sheet.


Score



Themes Practice





Program Note


Kinetics: From Airs to Jams was composed for the students at Minersville Elementary School in Minersville, PA. All components of the piece were driven by interactions with the students, from the character to the style, tempos, and beyond. During the creative process, students played through early sketches, experimented with tempo, articulation, and dynamics, and voted on their favorite themes — making this not just a piece written for them, but with them.


Before I wrote a note of music, I gathered ideas from the students through mood boards, listening sessions, and surveys that guided the musical choices. As a result, the students opted for alternating sections of slow, smooth music and stretches of quick, fun, pop-influenced music. Built around the idea of movement and transformation, the piece journeys through musical contrasts — beginning with smooth, slow “airs” and evolving into joyful, fun “jams.” The title itself reflects this motion: a shift from sweet, lyrical melodies to groovy rhythms and energetic combinations of the main themes.


This work is the sibling piece to Kinetic: From Haze to Blaze, a spin-off  converted to minor!


I wanted to tie the title of the piece to another subject the kids study in school. When I asked the kids, it was clear that science and math were among their favorites! When comparing the composition with a variety of topics, I decided to incorporate “kinetic.” Kinetic energy is the energy an object has when it’s moving. In the piece, the individual themes change character according to the energy made by the tempo and surrounding layers.


I also wanted the title to reflect the transitions from lyrical to boppy sections. For the lyrical sections, due to their folk-like qualities, I decided to use “air,” referring to a genre of music from the 16th and 17th centuries that were lyrical and could have folk-like characteristics. “Air” serves a dual purpose: I also imagine the melodies in these sections gliding through clouds.


The themes journey through four main sections. First, the opening is loosely evocative of an “air.” This cloudy opening features a dialogue of floating melodies exchanged between the flutes, trumpets, and low instruments while the clarinets and alto saxophones repeat a drone. After the opening, the piece progresses through a series of fun themes that sound like a jam session.


In the second section, the percussion sets the beat, and choirs of instruments introduce the main theme. This theme is related to the opening material by beginning with leaping a Perfect 5th. As the percussion gradually adds more motion, the melodies transform, and new accompaniment patterns join in. Soon, three layers combine: a variation of the main theme, the drone pattern from the opening, and a bouncy repeated pattern that resembles atoms bouncing. The layers wind down to a brief, calm version of the main theme before driving into an energetic closing.


Kinetics: From Airs to Jams celebrates creativity, community, and the joyful momentum of making music together.

Behind the Scenes


This was an especially rewarding project because the kids were involved in the process. They were able to take ownership of components such as: What will the style be? The mood? How can we make the music sound like that mood? And what about the title?


I blogged about the entire process. Go behind the scenes through the posts on Substack below!


No account needed to read! But, I'd be super appreciative if you subscribe :-).












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